The normal period of study for the degrees are as follows:
- MSc: One year full-time or two years part-time
- MPhil: Two years full-time or four years part-time
- PhD: Three years full-time or six years part-time
For the MPhil and PhD in Composition degrees students are allocated principal and second supervisors who oversee and guide the development of their work. Candidates are normally admitted as probationary students for their first year of study; on satisfactory completion of this first year, candidates are approved for continued registration for MPhil or PhD.
Students submit a portfolio of original compositions in place of a thesis. The MPhil portfolio should include one work suitable to form the major item in a concert program.
For the PhD the portfolio should normally include one major work, the performance of which would occupy an entire evening (i.e. an opera). Part or all of the portfolio may consist of computer-based or electronic fixed-media works, interactive work or work involving new media.
There is no requirement for an additional thesis or commentary to accompany the portfolio, but students are required to develop an understanding of the cultural context of their work.
Professor Peter Nelson, Programme Director, Music - PhD/MPhil/MScR by Research | View staff profile >
All research degrees require students to work closely with a supervision team. Please browse staff profiles to learn about the research specialisms and outputs of Music staff. If your research is interdisciplinary, look at staff profiles in other subject areas, too. We encourage you to approach staff directly to gauge their availability and suitability as a prospective supervisor.
When making first contact with either a prospective supervisor or the Programme Director, please introduce yourself and mention your research intentions as a composer. If you maintain a professional website or online portfolio, please include a link.
This helps potential supervisors to understand your vision of the scope of a PhD or MScR project, and your understanding of the type of practical - as well as intellectual - matters that postgraduate research entails. This early contact with staff should also be helpful to you, for decisions you will need to make about how to develop your proposal, and with whom you would like to work.
Yati Durant, Programme Director, MSc in Composition for Screen
Composition, Contemporary, Electroacoustic, Empirical, Improvisation, Music for screen (TV/Film/Game), Performance, Philosophy, Sonic art, Technology, Twentieth century, Twenty-first century | View staff profile >
Dr Michael Edwards, Programme Director, PhD in Creative Music Practice, MSc in Digital Composition and Performance
Algorithmic composition, Composition, Computational, Contemporary, Electroacoustic, Improvisation, Performance, Technology | View staff profile >
Dr Martin Parker, Programme Director MSc Sound Design/MScR Sound Design
Acoustics and audio, Composition, Computational, Contemporary, Electroacoustic, Improvisation, Instrument research, Music for screen (TV/Film/Game), Performance, Sonic art, Technology, Twenty-first century | View staff profile >
Dr Gareth Williams, Teaching on MMus Composition
Community, Composition, Contemporary, Music and health, Opera/Theatre, Twentieth century | View staff profile >