2018/19
Semester one
27 Sep 2018 | Art history futures - what next for the discipline?, Richard Williams | Hunter Building, Lecture Theatre | 5:15pm
4 Oct 2018 | Word Embodied: Entangled Icons in Medieval Japanese Buddhist Art, Dr Halle O’Neal | Hunter Building, Lecture Theatre | 5:15pm
11 Oct 2018 | Leonora Carrington’s Portrait of Max Ernst, c.1939: A New Acquisition for the National Galleries of Scotland, Patrick Elliott | Hunter Building, Lecture Theatre | 5:15pm
18 Oct 2018 | Object-fantasticality [gegenstandsfantastik] - or What is Magic Realism?, Dr Felicity Gee | Hunter Building, Lecture Theatre | 5:15pm
25 Oct 2018 | Screening: Strategy: Get Arts (1970). In Conversation with the Artist Alexander Hamilton, Dr Christian Weikop | ECA Main Buliding, West Court | 5.15pm
8 Nov 2018 | Heart’s Desire: From Christ, to Crown, to Eros, Professor Cynthia Hahn | Watson Gordon Lecture | Hunter Building, Lecture Theatre | 5:15pm
15 Nov 2018 | WELCOME! Elizabeth Price and the Life of Objects, Dr Tamara Trodd | Hunter Building, Lecture Theatre | 5:15pm
22 Nov 2018 | When England grew out of her saucy youth’: the Fin-de-Siècle German Reception of Gillray and Rowlandson, 1895 – 1908, Dr Matthew Potter | Hunter Building, Lecture Theatre | 5:15pm
29 Nov 2018 | The Case of M. Alphonse Legros, Professor Elizabeth Prettejohn | Hunter Building, Lecture Theatre | 5:15pm
Previous seminar series
2017/2018
21 Sep | Sir Mark Jones | Algernon Newton 1880-1968
28 Sep | Dr Sabrina Rastelli (Università Ca'Foscari Venezia) | A New History of Chinese Art History
5 Oct | Professor Andrew Ginger (University of Birmingham) | Visions of Similarity: Spanish-speaking Artists, the World, and the “Nineteenth Century”
12 Oct | Professor Timon Screech (SOAS) | The Essence of the Floating World in Early Modern Japanese Art
16 Oct (Lunchtime lecture, 12.30pm) | Professor Sherry D. Fowler (University of Kansas) | Counting on Buddhist Images of Six Kannon for Salvation in Japan
19 Oct | Sebastian Boyle | Real Artificial Cream: Sebastian Boyle discusses the work of Boyle Family
26 Oct | Professor Neil Cox (University of Edinburgh) | The Shape of Feeling
9 Nov | Watson Gordon Lecture at the Scottish National Gallery | Professor Joseph Masheck (Hofstra University, New York) | Classic Mondrian in Neo-Calvinist View | 6pm
16 Nov | Dr Jemma Field (Brunel University London) | Undressing Queen Anne of Denmark: Fictions, Realities, and the Power of Portraiture
23 Nov | Professor Richard Williams (University of Edinburgh) | The City on the Highway, Revisited: Reading Reyner Banham's Los Angeles in the Age of Waymo
30 Nov | Dr Egle Rindzeviciute (Kingston University) | Constructing Russian Nuclear Heritage: The Organisation, Politics and Aesthetics of Revealing
18 Jan | Dr Tom Tolley (University of Edinburgh) | Wolfgang and ‘The Little Chimney Sweep’: Leopold Mozart’s Pictures of Working Children
25 Jan | Dr Paula Barreiro López (University of Barcelona) | Comrades in Arms against Dictatorship: the Avant-garde, Art Criticism and the Franco Regime
1 Feb | Dr Christine Riding (Royal Museums Greenwich) | The Armada Portrait of Elizabeth I: Making, Meaning and Afterlife
8 Feb | Dr Lucy Weir (University of Edinburgh) | Pina Bausch’s Theatre of Cruelty
15 Feb | Professor Eric Robertson (Royal Holloway) | Curating Arp’s Poetic Forms
1 Mar | Professor Elizabeth Prettejohn (University of York) | The Case of M. Alphonse Legros
Postponed | Dr Cinta Krahe (Universidad de Alcalá and Universidad Antonio de Nebrija) | Chinese porcelain in Habsburg Spain
22 Mar | Professor Charles Esche (Van Abbemuseum / University of the Arts London) | The Demodern as a Possibility for Western Europe
29 Mar | Dr Jill Burke (University of Edinburgh) | Leonardo da Vinci's 'Female Genitalia': Women's bodies and the limits of representation
5 Apr | Dr Gabriele Schor (Sammlung Verbund, Vienna) | The Feminist Avant-Garde of the 1970s
10 May (Rescheduled date) | Professor Kerstin Stakemeier (Akademie der Bildenden Künste, Nuremberg) | Against our Freedom: about an anti-social aesthetic practice
2016/2017
Dr Ruth Hemus (Royal Holloway, University of London) | Dada’s Women: Reflections in the Centenary Year
Dr Genevieve Warwick (University of Edinburgh) | Effigies
Dr Michael Bachmann (University of Glasgow) | Distributed Aesthetics, Contemporary Criticism and the Public Sphere
Michael Clarke (National Gallery of Scotland) | The Reluctant Matriarch: Madame Mére, the Painter Gérard and Dynastic Portraiture under Napoleon
Professor Catherine Asher (University of Minnesota) | The Taj Mahal: Mughal Architecture, Ideology and the Construction of Kingship
Professor Phillip Lindley (University of Leicester) | The Union Duke’s Marbles
Professor Hilary Robinson (Middlesex University) | Griselda Pollock and the making of UK feminist art history and criticism in the 1970s
Dr Helen Langdon (writer, scholar, and curator) | Watson Gordon Lecture: Caravaggio, the Caravaggisti and Cupid
Dr Richard McClary (University of Edinburgh) | Mina'i: Gilded Polychrome Ceramics of Kashan and the Birth of Persian Painting
Dr Amy Bryzgel (University of Aberdeen) | Performance Art in Eastern Europe since 1960
Dr Chia-ling Yang (University of Edinburgh) | Antiquity Revisited: New Modes for Scholarly Art in 19th-Century China
Dr Luca Palozzi (University of Edinburgh) | Drawing before the Disegno: Reflections on Trecento Art Theory and Practice
Carla van de Puttelaar (Utrecht University) | The Scougall Family, Portrait Painters in a Legal Community, Scottish Portraiture 1650-1714
Dr Carol Richardson (University of Edinburgh) | Art and Gynaecology at St Peter's in Rome
Professor David Hopkins (University of Glasgow) | Oz magazine and Surrealism's legacy: children, obscenity and the politics of counter culture
Professor Geoffrey Quilley (University of Sussex) | British art, empire and the Opium War; the view from Dent's veranda
Dr Anna McSweeney (Warburg Institute, SOAS, University of London) | Object Biographies: a carved and painted ceiling from the Alhambra Palace
Professor Herbert Kessler (Johns Hopkins University) | 'Whoever Wishes to Know God, Look at the Glass'; Medieval Windows as Scripture
Dr Matt Lodder (University of Essex) | Cynicism and Contemporary Art: The Curious Case of Dan Wolgers
2015/2016
Professor Richard Thomson (University of Edinburgh) | Seurat's Parade de cirque: Interpreting a Painting, Organising an Exhibition
Dr Lucia Dolce (SOAS, University of London) | The Visual Practices of Buddhism: Ritual Iconography and the Resignification of Visual Forms in Mediaeval Japan
Professor Paul Gladston (University of Nottingham) | (Bad) Faith in Painting (?): Critically Re-evaluating the Significance of Yu Youhan’s Political Pop Series
Dr Lisa Skogh (Victoria and Albert Museum) | The Kunstkammer and the Early Modern Consort: Knowledge, Networks and Influence
Dr Jenny Terry (Durham University) | Afrofuturism, Sci-fi and the Scopic in the Art of Ellen Gallacher
Dr Freya Gowrley (University of Edinburgh) | The Sister Arts: Needlework between Thread, Paint, and Print in Eighteenth-century Britain
Dr Sussan Babaie (Courtauld Institute of Art) | A Medieval Picture Book and its Judeo-Persian Lives: The Morgan Bible in 17th century Safavid Iran
Professor Lex Bosman (University of Amsterdam) | The Cathedral of Rome in the Fourth Century. New Ideas about the Architectural Ground-plan of the Basilica Constantiniana (S. Giovanni in Laterano)
Dr Eric Lefebvre (Musée Cernuschi) | Exhibiting and Collecting Chinese Contemporary Painting in the Modern Era: The Case of the French Museums (1920-1960)
Dr Martin Myrone (Tate) | 1832: The Progress of Civilization in the Age of Reform
Dr Terri Geis (Pomona College, USA) | Archipelagos: International Women Surrealists and the Ocean
Ed Krčma (University of East Anglia) | Compression
Ayesha Hameed (Goldsmiths) | Black Atlantis
Emanuele Lugli (University of York) | The New Look of the 1340s: Fashion, Measurements and Other Disasters
Kate Sloan (University of Edinburgh) | The Analogue Game: Aircraft Control and Play in Roy Ascott's Pedagogy
Andrew Patrizio (University of Edinburgh) | The Year that Art History got a Hole in its Ozone Layer
Rachel King (National Museums Scotland) | "Asbestos Fingers and Flaming Lips”: Tea, Coffee and Silver Vessels in the 18th Century
Margit Kern (University of Hamburg) | Hieroglyphs of Faith: Missionaries as Actors in Transcultural Negotiation Processes and Image Theory in 16th Century New Spain
Xavier Guillaume (University of Edinburgh) | Paint it Black: Colours and the Social Meaning of the Battlefield
2014/2015
Professor Michael Yonan (University of Missouri) | Interlaced: Meaning and Materiality in an Eighteenth-Century Imperial Gown
Dr Charlie Miller (University of Manchester) | Cubism After Cubism
Dr Gavin Grindon (University of Essex) | Disobedient Objects: Art History, Curating and Social Movement Cultures
Dr Glyn Davis (University of Edinburgh) | Beckett, Warhol
Professor Geraldine Johnson (University of Oxford) | ‘Photo-Sculpsit’: Sculpture, Photography and the History of Art
Dr Tom Nichols (University of Glasgow) | Surviving the ‘Father of Art’: Titian and his followers
Professor Joanna Cannon (Courtauld Institute of Art) | Religious Poverty, Visual Riches: Art in the Dominican Churches of Central Italy in the Thirteenth and Fourteenth Centuries
Dr David Bomford (The Museum of Fine Arts, Houston) | Watson Gordon Lecture, Unfinished Paintings: Narratives of the Non-Finito
Professor Viccy Coltman (University of Edinburgh) | Scots in Europe: Later Eighteenth-Century Portraiture and the Grand Tour
Dr Stacy Boldrick (University of Leicester) | Breaking and Remaking Images: Iconoclasm’s Cruel Practices
Film screening | In the Shadow of Forward Motion
Samuel Bibby (Art History) | The Magazine as Catalogue, or, The Assemblage of Specimens
Dr Lara Eggleton (University of York) | Research as folly, or, How to productively “ruin” your research
Professor Alex Danchev (University of St Andrews) | The Life and the Life-Writing
Professor Jonathan Mills (University of Edinburgh) | A Potted History of Festivals and Festival Making, Part of the Jonathan Mills Lectures series
Dr Patricia Allmer (University of Edinburgh) | Shadows of Herself: Lee Miller’s Collage
Film screening | Experimental Histories: Queer Lives on Film
Kirstie Meehan (Scottish National Gallery of Modern Art) | Please Touch: Artists in the Archive
Professor Whitney Davis (University of California, Berkeley) | Composite Formation: Freud’s Rome and the Phantasy of “Self-Analysis.”
Professor Caroline Arscott (Courtauld Institute of Art) | Dyeing Bleaching, Printing: Morris and Abundance
Dr Heather Pulliam (University of Edinburgh) | Visions and Revisions: John Duncan’s Celtic Revival
Dr Colin Cruise (Aberystwyth University) | Rossetti on Paper
Dr Robert Mills (University College London) | Derek Jarman Gets Medieval
