Silent Speech: Ganassi's Vision of the Human Voice
Music in the 16th century was closely connected to the human voice, even when played on instruments. The art of diminution, ornamenting a simple line, allowed performers to shape music with expression and individuality. In La Fontegara (1535), Silvestro Ganassi presents the recorder not just as an instrument, but as a means of speech, capable of expressing a variety of nuances through grances and diminutions. In his treatise, diminutions become more than decoration—they are gestures of rhetoric, bringing lines to life.
Anna Stegmann (recorder) and Corina Marti (harpsichord)
Tickets £23 / £20 (senior citizens) / £8 students, children and unwaged. Please book via Eventbrite. Tickets may be purchased on the door, subject to availability.
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