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Programme:

Design - MPhil/PhD

Start date:

September 2025

Mode of study:

Full time

Research title:

The Basterdization of Black Religion in Film: A Psychological and Sociological Study

Biography

Terrance Harris is a multifaceted creative, scholar, and social entrepreneur whose work bridges the worlds of film, design, and mental health advocacy. He is currently pursuing a PhD by Practice in Design at the University of Edinburgh, where his research — “The Bastardisation of Black Religion: A Psychological and Sociological Study in Film” — explores how African spiritual traditions were transformed through syncretism and how those narratives continue to shape modern portrayals of Black identity in media.

Born from personal experience and a lifelong commitment to community, Terrance is the founder and Executive Director of Austin’s Second Chance, a nonprofit organization dedicated to empowering youth through storytelling, art therapy, cinema, and community engagement. His work focuses on creating spaces where young people can rediscover hope, purpose, and voice.

In tandem, he leads Confident Care Mobile Crisis LLC, a mental health service designed to provide compassionate, community-based crisis response, and A Chance to Change, an advocacy platform connecting individuals with accessible local resources. Across all his ventures, Terrance’s mission is consistent — to design systems and stories that heal, empower, and reimagine possibility.

As a filmmaker, his creative projects — including Doldrums and 96 Hours — weave together narrative, history, and lived experience to confront themes of identity, faith, and resilience.

Guided by empathy and purpose, Terrance continues to blur the lines between research and practice, art and advocacy, vision and reality — building bridges across continents, communities, and cultures to remind others that transformation begins with truth, and that every story, when told with care, can change a life.

Research interests

  • Syncretism and Ethnogenesis: Exploring how African spiritual traditions were transformed and preserved through processes of adaptation, resistance, and reinvention across the Atlantic world
  • Black Religion and Representation: Examining the moral, ethical, and psychological implications of how Black religion and spirituality have been portrayed in literature, cinema, and visual culture
  • Design and Cultural Identity: Investigating how design thinking and creative practice can serve as tools for reconstructing cultural memory and identity within diasporic and postcolonial contexts
  • Film as Research: Using screenplay development and cinematic storytelling as a form of practice-based inquiry into collective memory, trauma, and transformation
  • Psychology and Sociology of Belief: Studying how spiritual systems shape human behavior, resilience, and moral frameworks, particularly within marginalized or displaced communities
  • Culinary Ritual and Material Culture: Understanding food as a metaphorical and material expression of identity, faith, and survival — particularly through the lens of Haitian Vodou and cultural syncretism