Photo of Ling Lee

Job title:

Lecturer in Film and Moving Image

Office:

L.24, Main Building

Office hours:

Tuesdays, Wednesdays and Fridays, 9am - 5pm

Biography

Ling Lee is a Lecturer of Film and Moving Image in the postgraduate department in film which specialises in documentary making. She is an award-winning, self-shooting Director and Editor. Her work focuses on crossover cultures, experimental film techniques, and the ways in which film can convey cinematic, human stories.

Her latest film is Surviving Translation (2023); an experiential documentary about the mistranslation of female immigrants and the irreversible consequences it can have on them. Her previous film, The Black Veil (2021), was an intimate portrayal of a non-binary person and the challenges they face. It was commissioned by the Scottish Documentary Institute and BBC Scotland in association with Screen Scotland.

Ling has been making documentaries for over sixteen years. As Director, her films include Miles Apart (One World Media Award, 2011), Balancing A Dream (Al Jazeera Witness, 2012), and Long Live Livi (Best Sport Action Film – Kendal Mountain Festival, 2022). As Editor, she has worked on Edge of Dreaming (IDFA Premiere, 2009, Dir. Amy Hardie), DAU. Degeneration (Berlinale Premiere, 2020, Dir. Ilya Permyakov and Ilya Krzhanovskiy), and The Hermit of Treig (BAFTA Best Single Documentary, 2022, Dir. Lizzie MacKenzie).

Ling is a multi-linguist who has worked and lived in various parts of the world including Germany, UK, Italy, China and Argentina. Her creative background is also diverse – ranging from dance to experimental visual techniques to multi-media installations – all of which informs her approach to filmmaking. She graduated from the National Film & Television School with a Masters in Documentary Directing and her work has been broadcast on channels including Al Jazeera, BBC Scotland, Channel 4, ARTE/ZDF, VPRO, POV and screened at international film festivals.

Teaching

Ling brings over sixteen years of filmmaking experience to her teaching. This filmmaking experience is wide-ranging – including her work as a self-shooting camera person and as a feature-length Editor and Director.

The locations and situations she has worked in have taught her to be adaptable – whether that means working in high-risk environments or collaborating with sensitive, fragile subjects. This explorative spirit is manifested in her teaching; her students are encouraged to experiment with the documentary form and to challenge their visual approach in order to maximise their storytelling abilities. She celebrates each student’s individual voice and works with them to unveil their hidden potential.

Her natural ability to communicate and connect with others means that she frequently collaborates with international filmmakers, mentors others, participates in jury awards, and is invited to give public talks. In addition to her role at the Edinburgh College of Art, Ling has taught at the National Film & Television School and the Scottish Documentary Institute.

Research

Ling’s practice-based research is focused on documentary filmmaking and the exploratory use of inter-related cinematic tools for narrative and emotional communication – such as visual language, sound design, and music. Guiding this process is the aim to connect with the audience in order to facilitate wider outreach and impact.

This line of creative inquiry was at the centre of her most recent film Surviving Translation (2023) which focuses on the mistranslation of women who have lived through traumatic experiences such as gender-based violence in their home countries or during their difficult journeys to the UK. Unable to be truly heard or understood, these women find themselves without a voice or even an identity. The film aims to give some of these individuals a voice and reveal the human beings who are caught up in these events. The film is currently travelling internationally and nationally in order to encourage discussions and achieve impact. It has already been picked up by public sector organisations and charities with the aim of promoting change. 
 
More broadly, Ling’s interest is in crossover cultures, our constantly changing environment, and the individuals who find themselves within it. Her ability to connect with individuals and uncover their desires and inner-conflicts allows her to explore their stories. And regardless of constraints, Ling's priority is always to capture these stories and identify the cinematic language that can convey them to the audience – thereby facilitating the impact that motivates her initial enquiry.

Current PhD students

Mariana Duarte

A Camera in the Water: Reframing the Migrant Image in Documentary Film