Past and present students of ECA’s Jewellery and Silversmithing programmes have been recognised for their skill and creativity with a range of awards this year.
Among the organisations presenting accolades were the Goldsmiths' Craft and Design Council, the British Art Medal Society, and The Cutlers' Company.
Goldsmiths' Craft and Design Council
At the Goldsmiths Craftsmanship and Design Awards, there was success for one current student and two alumni -
Mervin (Qiwei) Liu, who is undertaking a practice PhD Design, received two Bronze awards, for 3D design Silversmiths and 3D Handmade Silverware.
Alumna Isabel Honey Coles (BA Hons Jewellery and Silversmithing 2025) won a Silver award for 3D Conceptual Jewellery - a second year of success for her, after taking home a Gold award last year.
There was also a bronze in the 3D Craft Junior Jewellers category for alumnus Dong Ding (PhD Design, 2025 and MFA Jewellery 2019).
Mervin, who is set to graduate this year, said: “My research explores, through practice enquiry and cross-cultural reflection, how different cultural understandings of individualism shape contemporary craft practice. The work I submitted for the awards was part of my PhD project - The Heft, which forms part of the practical component of my PhD research.
“Inspired by stacked stones, it is a kinetic metalwork sculpture that explores gravity, movement, and balance, while also drawing on the Chinese philosophical idea of He (harmony) to express a sense of natural flow, calmness, and equilibrium shaped over time and through external forces.”
He said the award meant a great deal to him: “It is not only an affirmation of my PhD research, but also a valuable opportunity to connect with artists in the field through practice. More broadly, it feels like an encouraging recognition of practice as a valid and meaningful research method.
“My time at ECA has played a very important role in the development of both my practice and my research. The support available across the school — from academic guidance to workshop facilities — has been invaluable. For me, one of ECA’s greatest strengths is that it provides the resources and freedom to explore art and craft openly, which has been essential to the growth of my practice.”