A person with long, auburn hair, wearing glasses on their head and smiling at the camera.

Job title:

Lecturer, Design Ecologies

Role:

Programme Director, MA Design for Change

Office:

K.04, North-East Studio Building

Biography

I am a design anthropologist working at the intersection of design, social anthropology, the environmental humanities, and the arts. As Lecturer in Design Ecologies in the School of Design at ECA, I principally teach on the postgraduate one-year Design for Change Masters Programme and also as part of the Design and Screen Cultures (cultural/contextual studies) team within the School. I am the Programme Director for the Design for Change postgraduate MA, the Co-convenor of the Critical Change Design Research Group and the Resarch Ethics representative for the Design School.

Trained as a social anthropologist at Goldsmiths College, London and the University of Aberdeen, I research environmental design, building and dwelling in interdisciplinary and creative ways. Before taking up the position of Lecturer in September 2016 here at ECA, I was Research Fellow in the Department of Anthropology at the University of Aberdeen (2013-16), working on the ERC-funded research project Knowing From the Inside: Anthropology, Art, Architecture and Design (PI Prof. Tim Ingold). I remained affiliated to this research project and team, as an Honorary Research Fellow, until its completion in 2018.

Prior to this I held a number of Postdoctoral Fellowships: at the Insititute of Advanced Studies in the Humanities (IASH) here at the University of Edinburgh, where I was the Mellon Sawyer Fellow from 2010-2012 organising and running the prestigious John E. Sawyer Seminar Series 'Embodied Values: Bringing the Senses Back to the Environment' and its closing conference and exhibition 'Sensory Worlds'; and at the University of Strathclyde's Business School, working on the interdisciplinary Leverhulme-funded critical market study of marine chemical pollution ‘Sorting Goods from Bads: How Actors Collaborate in Marketing Green Chemistry’ with Professors John Finch and Susi Geiger.

Research interests

  • Design anthropology, indigenous and vernacular culture, alternatives
  • Environmentalism, ecology, perception, degrowth, sustainability
  • Architecture and (self-)building, built environments and place
  • Materials (including new materialism), making, value and labour
  • Creative ethnography, art, method, collaboration, interdisciplinarity.

Teaching

At ECA my teaching and supervision is mostly divided between working on the postgraduate programme Design for Change, the contextual and critical/cultural studies provided to the whole School of Design (UG and PG) by the Design and Screen Cultures team, and doctoral supervision.

Design for Change Programme (PGT)

Course Organiser and Lecturer/Tutor:

  • dLab(3): Design for Environmental Change (Semester 1)

Lecturer/Tutor:

  • Designing for Change: Projects and Practices (Semester 2)

Dissertation Supervisor:

  • Dissertation: Design for Social, Technical or Environmental Change (Summer Term)

Design and Screen Cultures Teaching

Undergraduate

Course Organiser and Lecturer:

  • Environmental Design: Materials, Ecologies, Futures, (Semester 1, for 3rd Year Students)

Course Co-Organiser and Lecturer:

  • Revolutionising Design for the Climate Emergency (New in 2023/24, Semester 1, for 1st Year Students, CO with Emily Ford-Halliday)

Lecturer on Courses run by others:

  • Design and Society (Semester 2, for Second Year Students. CO is Emma Gieben-Gamal)

Postgraduate Taught

Course Organiser and Lecturer:

  • Environmental Design: Materials, Ecologies, Futures (Semester 1)

PhD in Design (PGR)

Supervisor

Research

Environmentalism, design activism & ecology - materials, meaning & making - building(s) & place - design anthropology & ethnography

In my research and teaching I am interested in learning from people about how they experience, perceive, care for, envision and create their shared environments. To this end, I have worked extensively with ecological builder-dwellers in the USA and Scotland, attending to issues of power, art, labour, value and social imagination. My doctorate, awarded in 2009 from the University of Aberdeen, addresses these subjects and they remain central to my research and teaching.

My more recent work has been concerned with materials and traces, with architecture’s materials and social orchestrations, and the idea of thinking-through-making. I have been considering the vibrant materials that make up the Scottish built environment, and the stories, lives, entanglements and skills that a focus upon them brings to the fore. In other threads of my research I've been looking at ideas of design for degrowth and regenerative design and systems, and also collaborating with colleagues Judith Winter (MMU, Manchester) and Cristián Simonetti (Pontificia Universidad Católica de Chile) on projects to do with concrete and the Anthropocene. At ECA, with Mike Inglis and Cath Keay, I collaborated on research and exhibitions to do with Art Extraordinary and alternative creativities and environments. Throughout, my research methods involve playful experiment and participation in artistic practices of making.

I lecture on my work internationally, publish my writing, and exhibit photographic and installation work. I have produced exhibitions, run workshops and seminars and, in 2011, I organised an international conference here at the Univeristy of Edinburgh funded by the Mellon Foundation on the theme of the senses and environmental values.

Current PhD students

Magdalena Cattan

Unfolding Dichotomies between Craft and Design in the Chilean Context

Sandra De Rycker

Recording Print: Collaboration and Social Exchange in DCA Print Studio 1999 - Present

Scarlett Lee

Flood-resilient Earthen Construction Technology

Abid Abbas

Cultivating Connection: A Design Approach for Fostering Emotional Bonds between Early Adults and Plants

Lisa Elzey Mercer

Developing a Situated Sense of Ethics in Design: An Empirical Investigation to Contextualize the Plurality of Ethics in Design

PhD Supervision Topics

  • Ecological/environmental design, politics, (design) activism and the environmental humanities
  • Design's relationship with art and architecture, creativity, imagination, fiction, learning and the art school
  • Non-western and alternative design, design anthropology, ethnography, cultural and oral history, methods/methodologies
  • Materials, labour, the body and the senses, power/politics and craft and technology
  • Phenomenology, New Materialism, Neo-Marxism, Feminism
  • Work situated in Scotland or the US and Mexico

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