Job title: Teaching Fellow, Modern and Contemporary Art

Role: Co-convenor of SEXES research group


Office address: Room 2.21, The Fire Station

Contact time: Monday, 1pm - 3pm

Research outputs: Dr Lucy Weir on Edinburgh Research Explorer

​Dr Lucy Weir is a specialist in dance and performance. Her monograph, Pina Bausch's Dance Theatre: Tracing the Evolution of Tanztheater (2018), is published by Edinburgh University Press, and she is developing a new research project exploring masculinity and violence in postwar performance.

Lucy obtained her PhD in History of Art and Theatre Studies from the University of Glasgow in 2013. Since then, she has lectured on art and performance at various institutions, including the University of Edinburgh and Glasgow School of Art. In 2015, she held a postdoctoral fellowship at the Institute for Advanced Studies in the Humanities (University of Edinburgh), before taking up her current post. She and Roberto Filippello co-convene SEXES, a cross-ECA research cluster involving early-career researchers and senior faculty in the fields of gender and sexualities.

Lucy maintains a strong interest in movement practice alongside her academic research. She is a Visiting Lecturer in Dance at the Royal Conservatoire of Scotland.



  • Pina Bausch's Dance Theatre: Tracing the Evolution of Tanztheater (Edinburgh University Press, 2018)
  • ‘Not So Black and White: Frederick Ashton’s “outsider” ballet,’ in 4 Saints in 3 Acts: A Snapshot of the American Avant-Garde in the 1930s, ed. Allmer and Sears (Manchester University Press, 2017) 
  • ‘Abject Modernism: Interpreting the Postwar Male Body in the Works of Tatsumi Hijikata, Günter Brus and Rudolf Schwarzkogler,’ Tate Papers, no. 23 (Spring 2015)
  • ‘Audience Manipulation? Subverting the Fourth Wall in Pina Bausch’s Kontakthof (1978) and Nelken (1982),’ The Scottish Journal of Performance, vol. 1, issue 2 (June 2014)
  • ‘Primitive Rituals, Contemporary Aftershocks: Evocations of the Orientalist ‘Other’ in Four Productions of Le Sacre du printemps,’ AVANT, vol. 4, no. 3 (December 2013)
  • ‘Re-reading Mary Wigman’s Hexentanz II,’ co-authored with Lito Tsitsou, The Scottish Journal of Performance, vol. 1, issue 1 (December, 2013)


Awards and Grants

  • 2015      IASH Postdoctoral Fellowship
  • 2013      AHRC Postdoctoral Internship, Glasgow Life
  • 2012      Whistler Travel Scholarship
  • 2012      University of Glasgow College of Arts Research Support Award
  • 2011      DAAD Research Grant
  • 2011      AHRC Research Training Support Grant
  • 2010      AHRC Doctoral Award​​

Lucy's teaching reflects her diverse research interests, and her classes encourage students to challenge art historical assumptions and notions of canonicity.

Her current Honours options include The Art of Revolution: A Century of Russian Visual Culture (third year), The Performative Turn: Performance and Live Art Since 1945 (fourth year), as well as the MSc elective course What Moves Them: Dance and Performance Art Since 1913. She is course organiser of the History of Art/Fine Art Work Placement programme. Lucy also lectures on subject matter from Futurism to Fluxus for History of Art 2, and on feminism and queer theory for the Research Theories and Methods MSc core course.​​

​​​​Lucy's research interests encompass performance art and dance, feminist theory, queer culture, and mental health.

Current PhD students

  • Subversive strategies in print and performance from Simplicissimus to Dada
  • 'Artes' and the Myths of Surrealism in Interwar Poland

PhD Supervision Topics

  • Dance and performance studies
  • Queer culture
  • Feminist theory
  • 'Outsider' art
  • The posthuman
  • Mental health and wellbeing