Job title:
Reader in History of Art
Role:
Head of Subject Area - History of Art
Office:
Room O.64, Higgitt Gallery, Hunter Building
Office hours:
By appointment
Research Output:
Edinburgh Research Explorer linkDr Lucy Weir is a specialist in dance and performance. She is the author of Pina Bausch's Dance Theatre: Tracing the Evolution of Tanztheater (Edinburgh University Press, 2018) and Performance, Masculinity, and Self-Injury (Routledge, 2024). With Laura Bissell, she is co-editor of the essay collection Performance in a Pandemic (Routledge, 2021).
Lucy's new book, What Moves Them: A Global History of Modern Dance will be published by Allen Lane in 2027, and is based on research supported by a Leverhulme Trust Research Fellowship (2023-24). She is co-editor of the forthcoming Edinburgh Companion to Women and the Avant-Garde with Ruth Hemus (Edinburgh University Press).
In 2020, Lucy was named an AHRC/BBC New Generation Thinker, and she contributes to various radio programmes.
Lucy obtained her PhD in History of Art and Theatre Studies from the University of Glasgow in 2013. She taught at Glasgow School of Art for five years, and was Visiting Lecturer in Dance at the Royal Conservatoire of Scotland. In 2015, she was awarded a Postdoctoral Fellowship at IASH (University of Edinburgh), before taking up a Teaching Fellowship in History of Art. In 2021, Lucy was appointed Chancellor's Fellow, and promoted to Reader in 2024. She completed her Postgraduate Certificate in Academic Practice at the University of Edinburgh in 2018, and is a Fellow of the Higher Education Academy.
Lucy previously co-convened SEXES, a cross-ECA research cluster involving early-career researchers and senior faculty in the fields of gender and sexualities. She sits on the steering committee for the University's Gender.ED network. Along with Bev Hood (School of Design), Lucy co-established the Performance Studies Network at Edinburgh.
Lucy maintains a strong interest in the performing arts alongside her academic research. In 2022, she joined the Board of Trustees of the Beacon Arts Centre in Greenock.
Research interests
Lucy's teaching reflects her diverse research interests, and her classes encourage students to challenge art historical assumptions and notions of canonicity.
Lucy's research interests encompass performance art and dance, feminist and queer theory, subculture and identity, and mental health.
Asobou: Pedagogy and the Creative Practice of Takako Saitō
ART AS COLLECTIVE ACTION: Towards an Alternative Future for Democracy
Queer Aesthetics and the Politics of Performing Knowledge
Invisible Labour: Women’s Experimental Art in East-Central Europe, 1970-1989