Dr Lucy Weir is a specialist in dance and performance. Her monograph, Pina Bausch's Dance Theatre: Tracing the Evolution of Tanztheater (2018), is published by Edinburgh University Press, and her current research project explores masculinity and self-injury in postwar performance.
Lucy obtained her PhD in History of Art and Theatre Studies from the University of Glasgow in 2013. Since then, she has lectured on art and performance at various institutions, including the University of Edinburgh and Glasgow School of Art. In 2015, she held a postdoctoral fellowship at the Institute for Advanced Studies in the Humanities (University of Edinburgh), before taking up her current post. She completed her Postgraduate Certificate in Academic Practice at the University of Edinburgh in 2018, and is a Fellow of the Higher Education Academy.
Lucy and Roberto Filippello co-convene SEXES, a cross-ECA research cluster involving early-career researchers and senior faculty in the fields of gender and sexualities. She is a co-founder and committee member of 'Modernist Methodologies: Beyond Fine Art,' an SGSAH-funded research network. She convenes 'Scotland's Cultural Landscape: Nation, Heritage and the Arts,' an international summer school jointly hosted by the University of Glasgow and the Hunterian Museum.
Lucy maintains a strong interest in movement practice alongside her academic research. She is a Visiting Lecturer in Dance at the Royal Conservatoire of Scotland.
Pina Bausch's Dance Theatre: Tracing the Evolution of Tanztheater (Edinburgh University Press, 2018)
‘Not So Black and White: Frederick Ashton’s “outsider” ballet,’ in 4 Saints in 3 Acts: A Snapshot of the American Avant-Garde in the 1930s, ed. Allmer and Sears (Manchester University Press, 2017)
‘Abject Modernism: Interpreting the Postwar Male Body in the Works of Tatsumi Hijikata, Günter Brus and Rudolf Schwarzkogler,’ Tate Papers, no. 23 (Spring 2015)
‘Audience Manipulation? Subverting the Fourth Wall in Pina Bausch’s Kontakthof (1978) and Nelken (1982),’ The Scottish Journal of Performance, vol. 1, issue 2 (June 2014)
‘Primitive Rituals, Contemporary Aftershocks: Evocations of the Orientalist ‘Other’ in Four Productions of Le Sacre du printemps,’ AVANT, vol. 4, no. 3 (December 2013)
‘Re-reading Mary Wigman’s Hexentanz II,’ co-authored with Lito Tsitsou, The Scottish Journal of Performance, vol. 1, issue 1 (December, 2013)
Awards and Grants
2019 SGSAH Cohort Development Fund (Modernist Methodologies network)
2018 ESRC Festival of Social Science Event Award (with Dr Amy Chandler)
2015 IASH Postdoctoral Fellowship
2013 AHRC Postdoctoral Internship, Glasgow Life
2012 Whistler Travel Scholarship
2012 University of Glasgow College of Arts Research Support Award
2011 DAAD Research Grant
2011 AHRC Research Training Support Grant
2010 AHRC Doctoral Award
Lucy's teaching reflects her diverse research interests, and her classes encourage students to challenge art historical assumptions and notions of canonicity.
Her current Honours options include The Art of Revolution: A Century of Russian Visual Culture (third year), The Performative Turn: Performance and Live Art Since 1945 (fourth year), as well as the MSc elective course What Moves Them: Dance and Performance Art Since 1913. She is course organiser of the History of Art/Fine Art Work Placement programme. Lucy also lectures on subject matter from Futurism to Fluxus for History of Art 2, and on feminism and queer theory for the Research Theories and Methods MSc core course.
Lucy's research interests encompass performance art and dance, feminist theory, queer culture, and mental health.