Kamini Vellodi’s research explores the intersections between modern and contemporary continental philosophy, the philosophy and historiography of art history, and sixteenth century painting in Italy. She specialises in the philosophy of Gilles Deleuze, and her recent publications have focused on the conceptual, methodological and critical implications of Deleuze and Guattari’s work, and its philosophical lineage, for the practice of art history.
Her first book, Tintoretto’s Difference. Deleuze, Diagrammatics and Art History, (Bloomsbury, 2019). brings together philosophical, art historical, art theoretical and art historiographical analysis to consider the implications of Deleuze's philosophy of constructivism for the understanding of Tintoretto’s works, early modern art and the discipline of art history.
Vellodi's current book project, The Visual World of Deleuze and Guattari. A Heteropaedia, (under contract with Edinburgh University Press), is the first comprehensive treatment of the visual artists that feature in the works of Deleuze and Guattari, from Byzantine painting to Keiichi Tahara. The book will offer a holistic analysis of the pivotal role of visual art in their thought, whilst reinventing the form and function of the 'dictionary of ideas' as a ‘heteropaedia’.
Vellodi’s articles have been published in Parrhesia, Word & Image, Art History, Deleuze Studies, and Zeitschrift fur Kunstgeschichte.
Recent invited lectures and keynotes include: the University of Oslo, Parsons School of Art, the Royal College of Art, Seoul National University, the Tata Institute of Social Sciences, the University of Bucharest.
Vellodi is a practising artist, and has exhibited and had her work collected nationally and internationally in the UK, Europe and India: ICA, London; Bloomberg Space, London; Sammlung Essl, Vienna, Asia House, London. She has also written extensively for the contemporary art press, including journals Contemporary, Modern Painters, Tate Etc, Art Review.
Kamini joined ECA in September 2016. Prior to this she lectured across departments of Art History, Visual Culture, Philosophy and Fine Art at Exeter University, Goldsmiths University of London, Kingston University, and the University of Westminster. In recent years she has been visiting lecturer at Parsons School of Art, Central Saint Martins School of Art and Design, and the Royal College of Art.
2012. PhD Philosophy. The Centre for Research in Modern European Philosophy, Middlesex University (supervisors: Prof. Peter Osborne; Prof. Eric Alliez)
2006. MA Fine Art (Painting). Royal College of Art, London
2003. BA Fine Art (Painting). Chelsea College of Art, London
Editorial board member of Art History
REF coordinator for Unit 32 (Art, Design, and History of Art)
Referee for: British Journal of Aesthetics, Art History, Deleuze Studies, Leuven University Press, Edinburgh University Press, Bloomsbury Academic, Palgrave Macmillan, Journal of Art Historiography
Current courses include:
The Time of Art. Concepts of Time in the Philosophy,History, and Practice of Art. (Level 10; 3rd year UG)
Materials and Techniques. Art History as Artistic Practice (Level 8; 1st and 2nd year UG)
Vellodi teaches across a broad range of courses in Visual Culture and studio practice in the School of Art. Her teaching is motivated by the intersections of continental philosophy, art history and art practice. She teaches at all levels of Undergraduate Visual Culture in the School of Art, MAFA Fine Art/History of Art, Postgraduate Contemporary Art Theory and Contemporary Art Practices programme. Her courses make regular use of the collections, galleries and museums in Edinburgh.
20th century continental philosophy and theory; Gilles Deleuze and Felix Guattari; the philosophy of art history; 15-16th century Italian painting and visual arts.
‘Unhistorical Art History: The Case of Amico Aspertini’ in ‘Newest Art History: Wohin geht die jüngste Kunstgeschichte?’ Verband österreichischer Kunsthistorikerinnenund Kunsthistoriker (VöKK) Vienna. 2017, 50-75
‘Heinrich Von Kleist’, in Deleuze’s Philosophical LineageVol II. Eds. Jonathan Roffe and Graham Jones. (Edinburgh: Edinburgh University Press) (May 2019)
‘Thought Beyond Research. A Deleuzian Critique of Artistic Research’, in The Dark Precursor: Deleuze and Artistic Research. Eds. Paulo d’Assis and Paolo Giudici (Leuven: Leuven University Press) (Forthcoming, 2019)
‘Diagrammatic Transdisciplinarity. Thought Outside Discipline’, in Deleuze and the Problem of Transdisciplinarity, ed. Guillame Collett, (London: Bloomsbury Academic, Forthcoming 2018)
I welcome enquiries from PhD applicants interested in my specialist research areas, which include:
The philosophy of Gilles Deleuze and Felix Guattari; contemporary continental philosophy and critical theory; philosophy of art history; art historiography and methodology; new approaches to early modern visual culture; 16th century Italian visual arts, particularly the visual arts of Venice; Jacopo Tintoretto.