Job title:
Senior Lecturer, Architectural Design and Theory
Research Output:
Edinburgh Research Explorer linkDr. Dorian Wiszniewski is a senior lecturer in ESALA and partner in Wiszniewski Thomson Architects. Built and project work have been published and exhibited nationally and internationally. Amongst many awards, Wiszniewski Thomson Architects won the Royal Scottish Academy Medal for Architecture in 2006 for the ‘Water House', Crieff. He has been an invited artist included in the annual RSA show on two other separate occasions (2012 and 2016).
Dorian was Visiting Professor for Architecture and Urban Planning at the Faculty of Architecture, University of Sassari, Sardinia, 2011-12. He was also Visiting Professor in Architecture and Urban Design for Hebei University of Technology, Tainjin, China, appointed in 2016. Dorian was a Director of the Asia Scotland Trust between 2014-2021 and a Board Member for Architecture and Design Scotland between 2006-2009.
Dorian has led various PG programmes in ESALA: Master of Architecture, M Sc Architectural and Urban Design, M Sc Reflective Design Practices and PhD Architecture By Design.
In 2014, Wiszniewski, along with the PhD Architecture By Design community in ESALA, founded and act as editors for Drawing On, a peer reviewed international e-journal that acts as a platform for developing topics associated with or addressed through design-led research into architecture. It is currently on edition 5.
Academic papers have been published in China, Denmark, France, Germany, Greece, Holland, Israel, Italy, Spain, Turkey, UK, and USA.
Recent academic output primarily focuses on research-led design and design-led research with core interests on processes of urbanization, particularly through the paired architectural and philosophical questions of socio-economic representation and production.
Research draws on political and philosophical discourse (particularly Phenomenology and Crititcal Theory) with implications for architectural and urban design practice. Current research concerns Ecosophy, in particular how this impacts theories and practice of ‘Community,’ both human and non-human Ecosophic Urbanism is the phrase he uses to hold a range of concepts of community together: Borderland Community (Habermas); Extraterritorial Community (Levinas); Unavowable Community (Blanchot); Narratological Community (Ricoeur); Open Community (Agamben); Curating [Heterological] Community (Ranciere); Parasitic Community (Serres) and Ecosophic Community (Bateson, Simondon and Guattari). He places less attention on the appropriateness of forms for community and more on developing processes for “becoming community.” The impetus of “becoming community” steers his approach to design-led research.
Example list of publications:
Since joining University of Edinburgh in 1996, I have taught at various UG and PG levels and on every level of the professionally accredited Architecture programmes. Research interests, which directly correspond to taught courses, concern design practice as excited by the languages of theoretical critique.
I have taught in the Master of Architecture Degree Programme for over 10 years with some notable successes: e.g. The Company of Dancers (a practice formed by students and myself [as team leader] in the M Arch programme The Grand Ball of Tectonics, 2001) won first prize in the USA Institute XVth International Competition for The Masques of the City, Brooklyn Heights River Promenade, New York; Nigel Peake was runner up in the President's Medals for his project The Galata Bridge Bazaar, coming out of the M Arch programme Borderlands in Istanbul 2004-5; Matthew Murphy won first prize in the Archiprix Urban Design Award for World's Best Graduation Project, 2009, for his project on Shanghai Metropolitan Markets in the M Arch Programme, Borderlands in Shanghai.
I am currently Programme Director for the following PG Programmes: PhD by Design; Master of Architecture Integrated Pathway; M Sc Architectural and Urban Design; M Sc Reflective Design Practices.
I am currently Course Organiser for Architectural Theory.
These are some of my research and PG supervisory interests. I invite PhD and other PG applicants who may be interested in pursuing the intersection between design and philsophical practices. I am particularly interested in PhD by Design applicants.
Levinas conceives of a particular dynamic to how we conceive and practice political relations. This is informative to how we might consider the role of architecture as a generator of relationships. Levinas speaks of proximity, “the proximity of person to person, the proximity of one’s neighbour or the welcome we prepare for one another" [Outside The Subject]. However, as Levinas leads us to ponder, is there an architecture that can provide a welcome and hosting to an unknown guest? This involves architectural exploration that cannot be derived from ready-made cultural expressions, identity concepts or the prejudices of a dominant host culture.
My Borderlands studios (in Budapest, Istanbul and Shanghai) have investigated specific socio-political and architectural "limits." 'Borderlands' are seen less as the effect of undesirable tension between opposing forces and, once 'otherness' is seen as the paradigmatic place of departure (Bhabha, Habermas, Levinas, Agamben, Nancy and Blanchot), more as places of potentiality for politico-philosophical exchange and richly energized architectural expression.
Apparatuses of narrative [Bertolt Brecht, Brecht On Theatre, The Development Of An Aesthetic] are employed to configure and frequently prescribe the role and relations between curator, architect, artist, scientist, critic and public. However, are the practices of Architecture and the Museum guilty of privileging themselves, especially over the ordinary, so as to protect culture and humanity from the un-theorized, un-valued, non-aesthetic, non-scientific, vulgar, prosaic and spiritually contaminated everyday?
Curating The City promotes a critical exchange between the narrative apparatuses of Architecture and the Museum. It initiates this exchange through an elaboration of two assertions: 1) There is a curatorial basis to the procedures of both Architecture and the Museum; and 2) The curatorial projects of both Architecture and Museum mediate everyday and special narratives of life.
Ecosophy approaches ecology from a deep philosophical understanding of the inter-relation between the environment, social practices and human subjectivity (“the three ecologies”, Guattari, 2000). Therefore, rather than accepting a dialectical separation between urbanity and landscape, between people and landscape, man and nature, I am interested as much in how the city is an effect of landscape as the landscape is an effect of the urban.
Ecosophy tackles head-on the various crises and threats brought to bear on local value systems by global markets. However the purpose of my research-led design and design-led research is to find positive means by which the “incorporeal species” of creative production, (the poetics of materiality), re-evaluate existing, while developing the potential of new, ‘existential territories’. (constructions of social practice).