Robyn Benson graduated from Painting - BA (Hons) in 2013. She returned with other alumni for a unique exhibition Drawing on Drawing featuring work by graduates, current staff and students alongside works from the University of Edinburgh collections.
Tell us about your time at Edinburgh College of Art
It was a very exciting time, the truly great friends I made and the sense of community at ECA was a big part of that. Between the Sculpture Court Christmas Party and end of year Revel there were always openings and events that seemed to bring everyone together. I studied First Year at ECA and I met a lot of people before we all dispersed off into our chosen departments, which in a way opened up the college for me. I spent a lot of time visiting friends in different departments and getting involved in as much as possible.
A very memorable period for me was the lead up to the Degree Show. The sense of momentum from everyone created a great atmosphere, if a little stressed at times. I think that is what I enjoyed most about Art College, the general feeling that everyone around you was busy doing/planning/making something.
Tell us about your creative practice
I make balanced, self-sufficient structures that rely on material tension and the equilibrium of acting/counteracting forces for stability. These works usually evolve from technical drawings and diagrams that focus on geometry and the relationships between shapes; exploring how one shape defines another and creating parameters within the drawings that are transposed into the physical constructions through the introduction of load and/or directional forces.
The transition between drawing and sculpture is a very natural process; I wouldn't ever separate one from the other. I usually make work in series and it often becomes about exhausting possibilities within a particular train of thought or idea. Mostly I’m just fascinated by the technical process of creating the circles and curves in the drawings and how that transfers into physical constructions.